Audience Au24 SX Cables


Audio cables are an interesting product that can bring the best from your stereo components. I have listened to many types that vary in conductor type, dielectric material, and termination method. This time, I have replaced my system with the Audience Au24 SX cables- from wordclock, AES digital, to balanced analog, and their speaker cable. To understand Audience’s approach, we shall first examine their design/construction.

To start, Audience uses Ohno cast copper, 6 nine’s to be exact. The dielectric is a cross-linked polyethylene known as XLPE, made of a better quality than from previous generations. Cryogenics are also used to treat the individual components of the cable, as well as the entire cable after completed construction. As for there geometry, Audience uses a dual concentric coax, perfect lay ribbon wind with opposing angles of the two conductors. This design is said to have a better linear signal transfer with more accurate timing. While no shielding is used around the cable (this may slow dynamics), the angle or relationship between the two conductors is said to balance the electromagnetic field by rejecting noise. The construction of these cables is top notch, without any unnecessary bulk. Their flexibility and low-mass allowed me to easily dress these cables around my various systems.


Audience dual concentric coax, perfect lay ribbon

My listening was was done with several computer audio systems including a mastering facility, but for the long haul evaluation I chose to use a home system which included the latest DAC design from David Hill of crane song for my source. Every component was connected via balanced Au 24 SX cables. I was even fortunate enough to use a Sony broadcast CD player with word clock input, fed from an Antelope rubidium clock generator via a custom Au 24 SX bnc cable. For speakers, I used the Lipinski (powered), and Green Mountain Audio Eos HX. I also incorporated two passive power distribution centers from Oyaide to separate my analog and digital power circuits. I let these cables play for many days/weeks before attempting any evaluation.

As this is my first experience with Audience cables I will, as I always do, focus on the sound in relation to neutrality. My background as an audio engineer has always led me to better understand live acoustic sound and the way we can capture this with as much preservation and fidelity.

To get things rolling I started with the David Grisman Quintet’s Dawganova release from his own label Acoustic Disc (16/44.1) played through Pure Music via a macbook. This is a childhood favorite of mine, and subsequently got me chopping away on the mandolin. Featuring outstanding musicianship, with Enrique Coria (guitar), Jim Kerwin (bass), Joe Craven (violin, percussion), and Matt Eakle (flute, bass flute), and of course the original Dawg himself Mr. David Grisman. With the Audience Au SX 24 transmitting all the bits to my DAC and subsequent balanced analog to the amplifier and speaker cable, I dug into my chair for a critical listen. Being very familiar with this album, allowed me better insight into how these cables performed. Some cables have a tonal signature, or obvious color- not so here. In fact, I was amazed at the balance and stereo width and depth achieved with the Audience cables. With layers of competing midrange information, the Au24 SX cables allowed me to hear the cohesive group performing, but without blurring each instruments placement in the mix. Mr. Kerwin’s upright bass played full and extended with attack that connected with the musical whole. Speed and was a noticeable attribute, allowing my 2-way speaker’s diaphragm’s to more quickly respond to changing dynamics. Scale and size of instruments was also reproduced with clear  font-to-back and height information intact. I felt these cables brought the performance to my room rather than in the constraints of a stereo system.

I continued listening with a variety of musical material, including Kings of Convenience, Jenny Lewis, Herbie Hancock, and several orchestral performances by the Berlin Philharmonic. In each case I was rewarded with a full mid and low bass, magically clear midrange and extension to the top end frequencies without any harshness. With mastering varying greatly, some with heavier compression and other with a light touch, the Audience cables confirmed that they were not contributing or masking anything the artist intended you to hear.  The Audience Au 24 SX has quality I have only found with few other designs- distortion free transmission, without any congestion or compression.

You won’t find me endorsing many cable designs, simply because I have rarely heard such an improvement and balance to the presentation. With the Audience Au 24 SX, I have found a new friend in reproducing the magic of the original recording. It has been my pleasure to finally find a cable design that I can truly live with. The team at Audience has delivered a easily manageable cable system that extracts the whole performance from your recordings/stereo equipment with balance and grace.

Happy Listening!


The State of Digital Audio Cables



Audioquest USB cables for digital audio, Coffee in focus

After recently writing about solid core audio cable designs, I began listening to various digital audio cables.  To dig in, I started by examining the transmission from computer to DAC (digital-to-analog converter) via the Audioquest USB cable line. For this listening test I employed the Antelope Audio Zodiac Platinum DAC with 10m Clock – simply connected to amp and speakers (Lipinski, and Green Mountain Audio).

The basis for the Audioquest designs start with solid core copper, then they add silver in varying amounts, a noise dissipation system, and finally a DBS or dielectric bias system.

Starting with a generic USB cable I familiarized myself with the sound. To be fair, I listened to several generic type USB cables…not all are created equal, and yes some sound decent too. After establishing the best sounding generic USB cable, I began exploring the Audioquest designs.

The Pearl, a basic LGC (long grain copper) USB cable was implemented from computer to DAC. Compared to the generic USB cable, the Pearl provided a modest but noticeable step up in clarity to the music files. The Forest, with its mere 0.5% silver over copper was easy to distinguish from the sound of the Pearl USB. A distinct and greater clarity came upon first listen, and continued use proved it more detailed indeed. A layer of background vocals was now more apparent. Moving past the Forest, one encounters the Cinnamon USB. At 1.25% silver over copper, this is still in the range of affordable USB cables (ok, for music lovers). The Cinnamon is yet again, more resolute. Not just more resolute, but better controlled and more balanced than the Forest. Next up, the AQ Carbon USB employs a whopping 5% silver over copper. This is also where Audioquest begins adding a 3 layer noise-dissipation system around the USB cable. If the Cinnamon was better balanced, the Carbon adds a more relaxed presentation – possibly due to less noise riding on the conductors. The Carbon also provided a greater sense of depth.

The last two USB cables in the Audioquest line include a 72v DBS (Dielectric Bias System). First up is the 10% silver over copper Coffee USB cable. After noticing the obvious clarity, balance, and extreme quietness (no background hash), another characteristic to the stereo field becomes apparent. Stereo height and depth information becomes easily distinguished. The arc of sound in the stereo field becomes less congested. Low, Middle, and High frequencies have a specific horizontal plain they reside in. Using the Lipinski Speaker system with subs (in addition to my 2way speakers) made this very obvious.

What comes after 10% silver, well 100% PSS (Perfect Surface Silver) of course. The Diamond USB is the most expensive offering from Audioquest. This USB cable spotlights ultra clear transmission while still being hash-free. Like Coffee USB, the Diamond possesses quiet backgrounds, great dimensionality, and rendering distortion free audio signals. Where it differs in sonic presentation is in the stereo height or arc. Compared to Coffee USB, I found the Diamond to create even greater distinctions between low, middle, and high frequencies. Specifically, center vocals were presented physically higher above the speaker than with the Coffee. While some stereo system might benefit from the Diamond, we found the Coffee USB to have the best overall balance in our systems.


Audioquest Coffee AES/EBU

To test out the Audioquest AES/EBU cables, I used my trusty Yellowtec PUC2. The PUC2 is a USB to AES converter. This allowed me to listen with basic Canare AES/EBU cables and compare them to the Audioquest designs. Note: I used the same AQ USB cable as AES/EBU cable being tested, for the Canare AES/EBU I used a generic USB cable to connect the PUC2 to computer. Canare AES and the AQ Coffee/Diamond were compared using the Crane Song Avocet (with Quantum DAC update).

Starting with the Canare AES cable, I connected the the AES out of the PUC2 to my Crane Song Avocet DAC. From the the Crane Song Avocet, I went into Lipinski Sound speakers with amps. Using the same track (Paul Simon, Proof), I began listening. After familiarizing myself with the sound, I quickly swapped the Canare AES/EBU for the AQ Coffee AES/EBU.

I was stunned by the differences, and so was my colleague (a seasoned mastering engineer). Just as I heard when using the Coffee USB, the AES cable provided a clarity and distinction to the many layered tracks of this Paul Simon mix. Bass was tighter, better defined, more robust. Middle and high frequencies also benefited from greater clarity while still being balanced yet distinct. The stereo arc allowed height information to be easily perceived and not exaggerated. Swapping back the Canare AES cable made it apparent that the sound was now congested, or squeezed sounding.


Audioquest Diamond AES/EBU

When replacing the Coffee AES/EBU for the 100% Perfect Surface Silver Diamond, the height information became even more distinct. That arc (in the stereo field) I spoke of earlier was even more pronounced than on the Coffee AES/EBU. Extreme clarity and low background noise was obvious, but Paul Simon’s voice appears to be physically higher in the center image. When testing this AES/EBU cable in my home system I noticed the same phenomena.

The Audioquest USB and AES/EBU cables offered a clear improvement that was easily heard. While the Carbon and Coffee were my favorite designs, even the entry level USB cables from AQ provided a clear balanced presentation without any harshness.

-Happy Listening!